Wednesday, 23 April 2014



Filmmaker Eli Roth Returns For Another "Last Exorcism"

Producer Eli Roth poses at the premiere of ''The Last Exorcism'' at the Arclight theatre in Hollywood, California in this file photo taken August 24, 2010. Reuters/Mario Anzuoni

By Zorianna Kit

LOS ANGELES, March 1 (Reuters) - Movie audiences have flocked to filmmaker Eli Roth's low-budget horror productions like "Cabin Fever" and "Hostel."

On Friday, "The Last Exorcism Part II," which Roth produced, will be released. It is the sequel to his 2010 movie about an evangelical minister who let a documentary crew film his last exorcism on a girl named Nell.

The 2010 film cost $1.8 million to make and grossed more than $67 million worldwide. The sequel follows Nell as she discovers that the evil force has returned.

Roth, 40, who is also a director, actor and writer, spoke to Reuters about the enduring appeal of films about possession.

Q: When you shot the first film, were there plans to make a sequel?

A: If we had thought about a sequel, we wouldn't have called the first movie the 'last' one. It made $20 million on opening weekend, which was a surprise. The financiers said, "whenever you want to do another one, the financing is there for it."

Q: The first film was filmed documentary-style, but the second was not. What was the thought process behind that?

A: We decided to make the sequel as a straight narrative. In the sequel, the first film exists as a viral video, floating out there on YouTube. So the characters in the sequel recognize Nell as being that girl who breaks her fingers, does her back bend and acts possessed.

Q: "The Last Exorcism Part II" is set in New Orleans. Does the setting influence the film?

A: It's very much part of the story. It's Mardi Gras and Nell is going out and experiencing the world. But there is this thing still following her, this presence out there. So when you're seeing a creepy face, you don't know if it's a Mardi Gras character or if it's actually something quite sinister.

Q: 1973's "The Exorcist" is the seminal film on exorcism and possession. Any film since then on the same topic inevitably draws comparisons. Did that weigh on your mind while making the film?

A: "The Exorcist" came out almost 40 years ago. That was before (U.S. President) Jimmy Carter was in office! I love "The Exorcist." I think it's a masterpiece. But we're making a movie for today's 15-year-old kids. They want their own "Exorcist," not the ones their parents were into.

Q: There have been many recent films on this same topic, from 2005's "The Exorcism of Emily Rose" to last year's "The Devil Inside." What is it that make audiences turn out for them?

A: Possession and exorcism is something that's in every religion and every culture. It's a real primal fear: Is the body a vessel for our spirits? What happens if something else takes over it? Where does the spirit go?

Also, there is a lot of unexplained evil in the world. People need to point the finger somewhere. You can point it at the devil, at evil. With the pope stepping down February 28, a lot of people feel that a gateway to evil will open up. They feel unprotected from evil without the pope there.

Q: Did the first film get any religious support or push back because of the subject matter?

A: Actually, we got a lot of church support because it was very much about faith, the battle between faith and science, and faith wins.

Q: Are there themes of faith in the sequel?

A: There is, but we loved the idea of what if this evil was following you and you actually started to embrace it? What would happen then?

Q: Have you ever met anyone that was possessed?

A: Yeah, I dated her for three months! For a long time I had a crazy girl dating habit. Thankfully, I've recently broken it.


genre :thiller

Tells the story of an unorthodox professor (Jared Harris) who uses controversial methods and leads his best students off the grid to take part in a dangerous experiment: to create a poltergeist. Based on the theory that paranormal activity is caused by human negative energy, the rogue scientists perform a series of tests on a young patient, pushing her to the edge of sanity. As frightening occurrences begin to take place with shocking and gruesome consequences, the group quickly realizes they have triggered a force more terrifying and evil than they ever could have imagined.

  13 SINS  

more cast



A cryptic phone call sets off a dangerous game of risks for Elliot, a down-on-his luck salesman. The game promises increasing rewards for completing 13 tasks, each more sinister than the last.


A naive man is dragged into a gruesome reality show with an audience he cannot see. Winning takes guts and questionable morals as one must perform acts straight out of "Fear Factor" or Abu Ghraib.


Monolog Jual Ubat -

Tempat: Lambang Sari, Istana Budaya

Tarikh:11- 17 Mac 2014

Masa:8.30 Malam

Kaunter Tiket: Wisma ITBM, Seksyen 10 Wangsa Maju/ Kaunter Box Office Istana Budaya/ Kedai Buku 1Malaysia, UTC Pudu Sentral/ Rumah PENA.

Afgan: L1VE To LOVE -

Tempat: Panggung Sari, Istana Budaya

Tarikh:28 Mac 2014

Masa: 8.30 Malam

Harga Tiket: RM150/ RM250/ RM350/ RM450/ RM550

Marcell & Dayang -

Tempat: Panggung Sari, Istana Budaya

Tarikh: 29 Mac 2014

Masa: 8.30 Malam

Harga Tiket: RM 150/ RM 250/ RM 350/ RM450/ RM 550

Di Bawah Lindungan Kaabah -

Tempat: Panggung Sari, Istana Budaya

Tarikh: 9 - 18 Mei 2014

Masa:8.30 Malam

Harga Tiket: Hari Biasa: RM35/ RM75/ RM105/ RM135/ RM255 : Hujung Minggu/Cuti Umum: RM 35/ RM 65/ RM95/ RM125/ RM155/ RM255




  Laman Web Fesyen Islam Malaysia, Sheikhahub Turut Promosi TMM 2014

Daripada Hafizah Kamaruddin

DOHA, 13 Nov (Bernama) -- SheikhaHub, laman web fesyen Islam dari Malaysia yang mengadakan pertunjukkan fesyen pertamanya di sini, bukan sahaja mempromosikan busana muslimah dan fesyen Islam, malah turut memperkenalkan program Tahun Melawat Malaysia (TMM) 2014.


© 2014 BERNAMA. All Rights Reserved. Disclaimer | Privacy Policy | Security Policy
This material may not be published, broadcast, rewritten or redistributed in any form except with the prior written permission of BERNAMA.
Best viewed in Firefox 8.0 & Internet Explorer 8.0 with 1024 x 768 resolution